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Art History Versus Aesthetics James Elkins

Art History Versus Aesthetics By James Elkins

Art History Versus Aesthetics by James Elkins


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Summary

In this unparalleled collection, over twenty of the world's most prominent thinkers on the subject including Arthur Danto, Stephen Melville, Wendy Steiner, Alexander Nehamas, and Jay Bernstein ponder the disconnect between these two disciplines.

Art History Versus Aesthetics Summary

Art History Versus Aesthetics by James Elkins

In this unprecedented collection, over twenty of the world's most prominent thinkers on the subject including Arthur Danto, Stephen Melville, Wendy Steiner, Alexander Nehamas, and Jay Bernstein ponder the disconnect between these two disciplines. The volume has a radically innovative structure: it begins with introductions, and centres on an animated conversation among ten historians and aestheticians. That conversation was then sent to twenty scholars for commentary and their responses are very diverse: some are informal letters and others full essays with footnotes. Some think they have the answer in hand, and others raise yet more questions. The volume ends with two synoptic essays, one by a prominent aesthetician and the other by a literary critic.

This stimulating inaugural volume in the Routledge The Art Seminar series presents not one but many answers to the question; Does philosophy have anything to say to art history?

About James Elkins

James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is the author of Pictures and Tears, How to Use Your Eyes, and WhatPainting Is and, most recently, The Strange Place ofReligion in Contemporary Art and Master Narratives andTheir Discontents, all published by Routledge.

Table of Contents

Series Preface , by James Elkins 1. INTRODUCTORY ESSAY Robert Gero, The Border of the Aesthetic 2. STARTING POINTS Joseph Margolis, Exorcising the Dreariness of Aesthetics James Elkins, Why Don't Art Historians Attend Aesthetics Conferences? 3. THE ART SEMINAR Participants: Arthur Danto, Thierry De Duve, Diarmuid Costello, Martin Donougho, David Raskin, Anna Dezeuze, Richard Woodfield, Dominic Willsdon, Francis Halsall, Nicholas Davey, John Hyman, David Raskin 4. ASSESSMENTS Diarmuid Costello Anna Dezeuze Dominic Willsdon David Raskin John Hyman Francis Halsall Richard Woodfield Ladislav Kesner Joseph Margolis Crispin Sartwell Paul Crowther Mary Rawlinson Jan Bakos Alexander Nehamas Ciaran Benson Wendy Steiner Mathew Rampley Keith Moxey Christine Wertheim Eva Schurmann Harry Cooper Adrian Rifkin David Getsy Michael Kelly Margaret Iversen Michael Golec Michael Newman Gregg Horowitz Stephen Melville 5. AFTERWORDS Jay Bernstein, Modernism as Aesthetics and Art History Marc Redfield, Island Mysteries Notes on Contributors

Additional information

NPB9780415976886
9780415976886
041597688X
Art History Versus Aesthetics by James Elkins
New
Hardback
Taylor & Francis Ltd
2005-10-27
320
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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