This addictive novel is the SLIDING DOORS of American politics. Gripping * STYLIST *
A lot of fun. A wonderful, sad dream of what might have happened * GUARDIAN *
An explosive new book * GRAZIA *
Sittenfeld's RODHAM offers the catharsis of uncomplicated regret * THE NEW YORKER *
While telling a compelling story, RODHAM provides an insightful analysis of the function of sexim in our political discourse. Sittenfeld is at her wittiest when recreating the men who dominate American politics * WASHINGTON POST *
A nauseating, moving, morally suggestive, technically brilliant book that made me think more than any in recent memory about the aims and limits of fiction * NPR *
Hugely enjoyable * WALL STREET JOURNAL *
This isn't just fiction as fantasy, this is fiction as therapy. A serious work of literary fiction designed to rally the spirits of liberal readers * SAN FRANCISCO CHRONICLE *
'An ingenious yet plausible glimpse of an alternative reality, and so involving that it occasionally comes as a shock to realise that there is a different reality, and we are living in it'
* THE SPECTATOR *
'By tilting history on its side, Sittenfeld makes Hillary seem a
fresh character and remarkably
sympathetic' * EVENING STANDARD *
'RODHAM
explores the mysterious territory between the inner and outer lives of a person who has long been a source of fascination, adulation and loathing' * FINANCIAL TIMES *
'Getting inside a living person's head sounds like a colossally bad idea, but Sittenfeld makes it convincing here, just as she did with a character based on First Lady Laura Bush in her 2008 novel, AMERICAN WIFE' * BBC CULTURE *
Deviously clever . . . Sittenfeld's Hillary is both a player in the Game of Thrones and a romance novel heroine. She's a brilliant badass who has found her voice and knows how to use it. She's whoever she wants to be * THE OPRAH MAGAZINE *
As Hillary finds her groove, so the momentum and entertainment builds, as does your admiration for how ingeniously and plausibly Sittenfeld has re-written the script * DAILY MAIL *
A counterfactual novel ... throbs with energy * TLS *
A
fascinating glimpse into an alternative future * DAILY MIRROR *
Pacy... plenty of sex and gossip - and a cameo from a certain yellow-haired, orange-faced president-to-be... ripe for TV adaptation * SUNDAY TELEGRAPH *
A brilliantly smart re-imagining * WOMAN AND HOME *
Sittenfeld's writing is so fine, her characters so vivid, her empathy so profound that she manages to absorb the reader on a level that transcends partisanship. In 2020, that was a remarkable achievement and an enormous gift to her readers * THE NEW YORKER *
It ends up being a love letter to a type: the female intellectual, who is given none of the licence of her less talented male peers. At the end, i found myself saying Oh My God * OBSERVER *
A triumphant feminist reinvention. Sittenfeld is the bard of presidential female adjacents * VOGUE *
RODHAM is wide- ranging political anthropology, concerned not so much with what makes Hillary tick as it is with the culture around her and how she might have shaped events, and been shaped by them, if the pieces of reality's jigsaw were rearranged just so. It's stippled with clever mischief * NEW YORK TIMES *
A smartly structured character study and a stay- up- all- night plot . . . A captivating and durable story containing rooms within rooms. RODHAM turns into a high- speed bildungsroman about a woman of formidable intellect and self- insight. * THE LOS ANGELES TIMES *
It's the genius of Sittenfeld's prose that we come to understand this ambivalence,as well as the deep conflicts in this complicated character. In the longing and loneliness, the anger as well as ambition, this Hillary makes RODHAM a compelling portrait of a future that might have been. * THE BOSTON GLOBE *
Tantalizing . . . part thought experiment, part wish- fulfillment fantasy . . . delectably discussable, a book tailor- made for book clubs. * USA TODAY *
Wildly compelling . . . What RODHAM is interested in is examining what feminine ambition looks like when it is untethered from a man. . . . Sittenfeld is free to invent, and the reality she builds is deliciously dishy. * VOX *
