A beautifully written mystery, packed with unforgettable characters. An intricately woven portrait of small town intrigue where old and new sins collide * Jane Harper *
A sprawling epic of betrayal, faith and misguided loyalty * Irish Times *
Chris Whitaker's third novel, We Begin at the End, is the kind of breakout book that publishers dream about. Rich with character and story, conflict and tension, humor, tragedy and raw, unadulterated guts, this one has it all. Throw in the most compelling young protagonist I've read in at least a decade, and you have a deep and meaningful story that is an absolute delight from first page to last. Nicely done, Mr. Whitaker! * John Hart *
An epic coming-of-age crime drama which deserves to become a classic . . . Whitaker carves out a tale reminiscent of a Coen brothers' film . . . Beautifully written and paced throughout, We Begin at the End is profound and heartbreaking . . . This masterpiece of a novel proves that Whitaker has a rare talent deserving of wider recognition. I will be amazed if I read a better novel this year * Jon Coates, Daily Express *
I love Duchess Day Radley so much I want to adopt her. She is every thirteen-year-old girl at risk, an outlaw both pure of heart and ill of intent, a fierce and melancholy girl, so memorable she will make camp in your brain and never leave. In We Begin at the End, Chris Whitaker has written a gorgeous, crystalline novel, a cautionary tale about the long shadows cast by our past selves, and one defiant girl with the bravery to hope for something better. I love this beautiful book * Jeanine Cummins, author of American Dirt *
I LOVED it. I mean, jeez, what a story. And so intricately, delicately written, with such care and affection for all the characters. I adored all the relationships and ALL the characters without exception - I mean Duchess!! I could seriously rave about every single character that people the world of this book . . . his descriptions are so vivid, so visual, so beautifully drawn.We Begin at the End is surely destined to conquer the world. This intensely captivating story and its uniquely intriguing characters holds you in its jaws till the very last word. Astonishingly good * Ruth Jones *
Beautifully written, We Begin at the End really reminds me of To Kill a Mockingbird. And the spirit of Scout is very much alive in Duchess. A crime novel, or maybe a novel about a crime, and yet so much more * Sarah Pinborough *
Stunning, intoxicating, heart-breaking - without a doubt one of my favourite books of the year. A compelling story, beautifully-drawn characters and writing that leaps off the page: We Begin at the Endis in a class of its own * T M Logan *
An intense, evocative, and quite brilliant crime novel that stays with you long after you've finished the last page * Simon Kernick *
I hate this man. I mean, I really hate him because this is the sort of book that makes you feel like you're not trying hard enough as an author. Just amazing * C J Tudor *
A stunning and heartbreaking book - will keep you gripped until the last moving page * Claire McGowan, #1 bestselling author of What You Did *
An exceptionally beautiful and accomplished crime novel. I fell head over heels into its big black heart and will carry the characters with me for a long time to come yet. Duchess and Thomas Noble forever * Ali Land *
If ever there is a book that deserves all the prizes, this is it. So layered and nuanced, and brimming with characters so full of depth they breathe on the page. So heartbreakingly evocative of small town life and the secrets buried under the weight of old friendships and tangled loyalties. Stunning writing, both poetic and compelling. A damn near perfect crime novel. Do yourself a favour and put this on your most wanted list * Fiona Cummins *
We Begin at the End is the most beautifully written book I have read this year . . . with characters that will tug at your heartstrings, an incredible sense of place and a cleverly plotted mystery, Chris Whitaker is proving himself to be one of the most talented writers around * Lisa Hall *
What a novel! Such a remarkable achievement. So wonderful in so many ways, with writing that is Booker Prize good. I kept having to stop and go back and re-read bits because I wanted to experience them again. I enjoyed it so much and the characters now have a place in my heart, I'm sad not to be able to spend any more time with them (Duchess especially). Wow. There is no f**king justice if this book is not a smash hit * Deborah O'Connor *
We Begin At The End is as perfect a novel as you'll read all year. Devastating and hopeful in equal measure, with pitch-perfect characters you'll root for at each jaw-dropping turn - Duchess, in particular, deserves a fast-track pass to the literary hall of fame. A sophisticated, utterly absorbing read * Caz Frear *
A triumph. I couldn't read it fast enough, while still appreciating the absolute beauty and depth to it. I don't know where to begin - the total satisfaction of the plot, the absorbing story, the cast of unbelievably incredible characters, the sheer taste of America on the page. So, I'll begin at the end, and the fact I cried straight through those last few chapters. Duchess, Robin, they killed me. It's an absolute masterclass in crime writing and story-telling * Jo Spain *
Chris Whitaker excels in muscular small town American Noir. In We Begin at the End, we see that fascination with the gnarly American heartland reach new heights. Whitaker displays his mastery over style; his unique flair and eye for telling detail is comparable to a form of literary method acting. The story unwinds to a peak of tension and ends with a series of revelations that hit like a flurry of punches to the gut. It is a fabulous read. A sparse, muscular novel with a unique sense of style. A cross between crime and literary fiction in the Cormac McCarthy tradition. A sense of tragedy infuses the story and this, more than anything, makes it one of the year's best crime reads * Vaseem Khan *
A sensational book. Addictive, beautifully-written and immersive. So many layers. So many fascinating characters. Chris Whitaker is an immensely talented writer * Will Dean *
An absolute belter of a book. Superb, heart-breaking, astounding and gripping. Chris Whitaker has totally nailed it * Gytha Lodge *
Sometimes a book finds its way to you when you need it most, and teaches you a lesson you didn't even know needed teaching. We Begin at the End is one of those books, and it truly is a masterpiece * Isabelle Broom *
Emotionally wrung out after reading We Begin at the End. Chris Whitaker is one of the few authors who can genuinely make me cry. Rock on Duchess and Thomas Noble . . . this may be my book of the year * C J Carver *
Astoundingly beautiful. No other writer can pull you in quite so well as Chris Whitaker. The writing is pure and sharp, the characters perfectly drawn, the story unforgettable * Rebecca Tinnelly *
We Begin At The End is stunning - thrilling, moving, beautifully written * Paul Burston *
Hands down, one of the best books I've ever read. In my life. There's a bit at the end which is so overwhelmingly sad I can barely breathe just thinking about it. An absolutely astonishing novel and the writing is breathtaking * Rebecca Thornton *
A heart-rending, gut-punching, nail-biting masterpiece. I'm sure I could hear echoes of Harper Lee coming through in the skilfully crafted prose. It's surely rare that a British author should pen an American classic, but I think Chris has * Marnie Riches *
Chris Whitaker has written a rare gem of a novel - by turns thrilling, moving and heartbreaking, it takes the reader on a gut-wrenching journey from hope to despair and back again. Chris's previous novels demonstrated his gift for creating complex, fragile and all-too-believable characters, but somehow he has topped himself here, introducing us to a cast of heroes and villains so intimately-drawn, they could be your family and friends. The kind of book that makes you fall in love with reading again * Rod Reynolds *
Crime may feature at the heart of We Begin at the End but it is the heart itself that dominates this stunning crime novel. Beautiful, evocative & heartbreaking from beginning to end * Off-the-Shelf blog *
Beautiful writing, characters that live on in your memory long after you've turned the last page. Excellent * Mason Cross *
A sublimely beautiful book that lingers long in the memory, from a writer with a rare gift * Kevin Wignall *
Brutal, yet beautiful, this painfully human tale cements Whitaker's status as one of the most talented authors writing today * HEAT Magazine *
This heart-rending story . . . is among the most powerful and moving I have read in years . . . Written with the panache of James Lee Burke, it's so gripping that I read it twice - with tears in my eyes * Geoffrey Wansell, Daily Mail *
A masterpiece of storytelling with clever twists and an ending to knock you sideways * Candis Magazine *
This is an epic drama and a profound masterpiece. I'll be amazed if I read a better novel this year * Mirror *
So beautifully written you'll want to savour every word; a book that stays with you long after the final page * Victoria Selman *
In the world of crime fiction there can be few classier writers than Chris Whitaker. His debut, Tall Oaks, was an award-winning tour-de-force, and this - his third novel - is perhaps even better. Whitaker's strength is excellent storytelling combined with stunning characterisation. Absorbed in this book, you feel you're holding a classic American novel - it really is that good - and yet it's written by a thirty-something Brit. Surely one of the books of the year * David Young *
A magnificent crime novel. It deserves to win a hatful of awards. A BIG hat. Consider me a major fan * Mark Billingham *
