PREFACE TO 2018 RE-ISSUE, Sondra Fraleigh
INTRODUCTION
BUTOH SHAPESHIFTERS
Kaze Daruma: the origins of butoh
Hijikata's butoh
Nature, mud, and butoh morphology
Butoh alchemy in global circulation
Hijikata: a corpse standing desperately upright
Yoneyama Kunio
Studying Neue Tanz
The drug of Ohno
Tokyo
New names
Dancing life: Ohno Kazuo
Born to dance
Together and apart
Together again
Ohno's international stage
Ohno is a bridge
Butoh, community, and healing
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THE WORDS OF HIJIKATA AND OHNO
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Hijikata-speak
The criminal and the fool: writing/living darkness
Body as spirit: writing/speaking the butoh body
Being a corpse
Hijikata's butoh-fu: what is an image?
Words that dance: Ohno's images
Spiritual darkness: inside Ohno's studio and Konpaku
How Ohno prepares: words for the speech of the body
The Ishikari river's hooked-nose salmon
Body as universe: Kazuo and Yoshito speak of love and care
DANCES OF DEATH, SACRIFICE, AND SPIRIT
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Two butohists: why they dance the way they do
Dance as experience: shedding the social body
Challenging modernization
Kinjiki (Forbidden Colors, 1959)
Barairo Dansu (Rose Colored Dance, 1965)
Nikutai No Hanran (Rebellion of the Body, 1968)
Note on Natsu No Arashi (Summer Storm, 1973)
La Argentina Sho (Admiring La Argentina, 1977)
Suiren (Water Lilies, 1987)
Interview with Ohno Yoshito - on Suiren
The future of butoh
DANCE EXPERIENCES
Introduction to metamorphic explorations
Nakajima Natsu: becoming nothing/ becoming something
Ohno Yoshito: the patience of not starting
Yoshioka Yumiko: body resonance
Morita Itto and Takeuchi Mika: psychosomatics of butoh
Takenouchi Atsushi's Jinen Butoh
Frances Barbe and the practice of butoh-fu
Harada Nobuo: butoh is everything
Waguri Yukio and Butoh-Kaden CD-Rom
English glossary of terms Japanese glossary of terms