Few novelists have taken films as seriously, or been as closely involved in so many aspects of the film business, as Graham Greene. His experience included producing, performing, script-writing and adaptation. And twenty years before he wrote the scripts to such celebrated films as Brighton Rock, The Fallen Idol and The Third Man, he had been one of the finest film critics of the 1930s, his intimate knowledge of the industry matched by his trenchant and perceptive responses to film as art, entertainment and social phenomenon. Mornings in the Dark gathers some of Greene's best film criticism with a mass of related material: his film articles, interviews, lectures and radio talks, stories for film, letters and film proposals. With appendices on Greene's own films and unfulfilled film projects, and David Parkinson's introduction, this is an essential collection for readers and film enthusiasts alike.