Books by Nicola Griffith

Nicola Griffith is a native of Yorkshire, England, where she earned her beer money teaching women's self-defense, fronting a band, and arm-wrestling in bars, before discovering writing and moving to the US. Her immigration case was a fight and ended up making new law: the State Department declared it to be "in the National Interest" for her to live and work in the USA. In 1993 a diagnosis of multiple sclerosis slowed her down a bit, and she concentrated on writing. Her novels are Ammonite (1993), Slow River (1995), The Blue Place (1998), Stay (2002), Always (2007), Hild (2013), and So Lucky (15 May 2018). She is the co-editor of the BENDING THE LANDSCAPE series of original short fiction. Her multi-media memoir, And Now We Are Going to Have a Party: Liner Notes to a Writer's Early Life, is a limited collector's edition. Her essays and short fiction have appeared in an assortment of academic texts and a variety of journals, including Nature, New Scientist, Los Angeles Review of Books and Out. She has won the Washington State Book Award, the Tiptree, Nebula, and World Fantasy Awards, the Premio Italia, Lambda Literary Award (six times), and others. In 2015 Nicola founded the Literary Prize Data working group whose purpose initially was to assemble data on literary prizes in order to get a picture of how gender bias operates within the trade publishing ecosystem. (The $50,000 Half the World Global Literati Prize was established as a direct result.) The group's interests have now grown to encompass other aspects of publishing and bias. In 2016 she began #CripLit, an online community for writers with disabilities which hosts a regular Twitter chat. Nicola, now a dual US/UK citizen, holds a PhD in Creative Writing from Anglia Ruskin University, is married to writer Kelley Eskridge, and lives in Seattle. Most of the time she is happily lost in the seventh century (writing the second novel about Hild, Menewood), emerging occasionally to drink just the right amount of beer and take enormous delight in everything.