'A fascinating collection of essays, from a number of notable hands, on philosophical issues raised by one of the most mind-bending of recent films, Christopher Nolan's Memento. Anyone interested in what film might teach us about the nature of memory, self, knowledge, and narration will here find a rich source of reflections. The essays are admirably introduced by the editor, who also provides invaluable signposting to the structure and content of this most enigmatic of cinematic productions.' - Jerrold Levinson, University of Maryland, USA
'Memento is a remarkable narrative achievement and this book of philosophical essays - more conventional in structure than the film I'm glad to say - brings into sharp relief the ideas on persons, their mental and moral resources, that inform the film. Kania has chosen his contributors well; here analytic philosophy, so often portrayed as insensitive to artistic and imaginative aspirations, is very light on its feet.' - Gregory Currie, University of Nottingham, UK
'A fascinating collection of essays, from a number of notable hands, on philosophical issues raised by one of the most mind-bending of recent films, Christopher Nolan's Memento. Anyone interested in what film might teach us about the nature of memory, self, knowledge, and narration will here find a rich source of reflections. The essays are admirably introduced by the editor, who also provides invaluable signposting to the structure and content of this most enigmatic of cinematic productions.' - Jerrold Levinson, University of Maryland, USA
'Memento is a remarkable narrative achievement and this book of philosophical essays - more conventional in structure than the film I'm glad to say - brings into sharp relief the ideas on persons, their mental and moral resources, that inform the film. Kania has chosen his contributors well; here analytic philosophy, so often portrayed as insensitive to artistic and imaginative aspirations, is very light on its feet.' - Gregory Currie, University of Nottingham, UK
'[These essays offer] . . .clear, accessible, and engaging introductions to basic philosophical questions and concepts in a way that enriches our understanding of Memento and philosophy both. . . The range of topics, the dialogue the essays themselves foster, and the genuine philosophical light shed by them will, as Hanley says, not only get you thinking but keep you thinking. This collection is a good choice for undergraduate courses in philosophy and is accessible enough to be of interest to philosophically minded fans of Memento or film more generally.' - Metapsychology
