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Acoustic and Auditory Phonetics Keith Johnson

Acoustic and Auditory Phonetics von Keith Johnson

Acoustic and Auditory Phonetics Keith Johnson


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Zusammenfassung

Acoustic and Auditory Phonetics provides an accessible yet rigorous introduction to basic acoustics, audition, signal processing, and the acoustic theory of speech production. * Provides readers with an accessible yet rigorous introduction to phonetics and speech sciences.

Acoustic and Auditory Phonetics Zusammenfassung

Acoustic and Auditory Phonetics Keith Johnson

Acoustic and Auditory Phonetics provides an accessible yet rigorous introduction to basic acoustics, audition, signal processing, and the acoustic theory of speech production. * Provides readers with an accessible yet rigorous introduction to phonetics and speech sciences. * Introduces basic acoustics, audition, signal processing, and the acoustic theory of speech production, then surveys the major classes of sounds. * Features a new chapter on speech perception as well as additional sections on digital filtering and cross-linguistic vowel and consonant perception. * Includes exercises at the end of every chapter.

Acoustic and Auditory Phonetics Bewertungen

The book covers the whole range of basic and some more advanced knowledge on acoustic and auditory phonetics by clear descriptions and easy-to-follow explanations... The whole structure and approach make the book satisfying to read and rewarding to use. Phonetica This well-thought-out textbook has proved to be invaluable for students who want to know more than the basic elements of acoustic phonetics. The spectrograms provide a good view of a wide range of sounds, and the material on perception and hearing is particularly insightful. Keith Johnson is a leading figure in the field of perceptual phonetics and shows students how good experiments should be done. Peter Ladefoged, University of California, Los Angeles The best phonetics textbook I've ever used. Uniquely successful in revealing to beginners the line of reasoning in acoustic modelling. Janet Pierrehumbert, Northwestern University An excellent phonetics text for students of linguistic phonetics and speech science. Students encounter clear explanations of the basics of acoustics, digital signal processing, the acoustic theory of speech production, and the accounts it offers for the acoustic properties of basic speech sound types. Professional speech scientists may learn from it too; I did. Carol A. Fowler, Haskins Laboratories

Über Keith Johnson

Keith Johnson is Professor of Linguistics at Ohio State University. He has published articles on speech perception, acoustic and articulatory phonetics, and psycholinguistics; he is co-editor of Talker Variability in Speech Processing (with John Mullennix, 1997) and The Role of Speech Perception in Phonology (with Beth Hume, 2001).

Inhaltsverzeichnis

Acknowledgments. Introduction. 1. Basic Acoustics and Acoustic Filters:. 1.1. The Sensation of Sound. 1.2. The Propagation of Sound. 1.3. Types of Sounds. 1.3.1. Simple Periodic Waves. 1.3.2. Complex Periodic Waves. 1.3.3. Aperiodic Waves. 1.4. Acoustic Filters. Exercises. 2. Digital Signal Processing:. 2.1. Continuous versus Discrete Signals. 2.2. Analog-to-Digital Conversion. 2.2.1. Sampling. 2.2.2. Quantization. 2.3. Signal Analysis Methods. 2.3.1. Auto-Correlation Pitch Tracking. 2.3.2. RMS Amplitude. 2.3.3. Fast Fourier Transform (FFT). 2.3.4. Digital Filters. 2.3.5. Linear PredictiveCoding (LPC). 2.3.6. Spectra and Spectrograms. Exercises. 3. Basic Audition:. 3.1. Anatomy of the Peripheral Auditory System. 3.2. The Auditory Sensation of Loudness. 3.3. Frequency Response of the Auditory System. 3.4. Auditory Representations. Exercises. 4. Speech Perception:. 4.1. A Speech Perception Experiment. 4.2. Maps from Distances. 4.3. The Perceptual Map of Fricatives. 4,4. The Perceptual Map of [Place]. 4.5. The Limits of Perceptual Universality: A Cross-Linguistic Map of Chinese Tones. Exercises. 5. The Acoustic Theory of Speech Production: Deriving Schwa:. 5.1. Voicing. 5.2. Voicing Quanta. 5.3. Vocal Tract Filtering. 5.4. Pendulums, Standing Waves, and Vowel Formants. 5.5. LPC Spectral Analysis. Exercises. 6. Vowels:. 6.1. Tube Models of Vowel Production. 6.2. Perturbation Theory. 6.3. Preferred Vowels: Quantal Theory and Adaptive Dispersion. 6.4. Vowel Formants and the Acoustic Vowel Space. 6.5. Auditory and Acoustic Representations of Vowels. 6.6. Cross-Linguistic Vowel Perception. Exercises. 7. Fricatives:. 7.1. Turbulence. 7.2. Place of Articulation in Fricatives. 7.3. Quantal Theory and Fricatives. 7.4. Fricative Auditory Spectra. 7.5. Dimension of Fricative Perception. Exercises. 8. Stops and Affricates:. 8.1. Source Functions for Stops and Affricates. 8.1.1. Phonation Types. 8.1.2. Sound Sources in Stops and Affricates. 8.2. Vocal Tract Filter Functions in Stops. 8.3. Affricates. 8.4. Auditory Properties of Stops. 8.5. Stop Perception in Different Vowel Contexts. Exercises. 9. Nasals and Laterals:. 9.1. Bandwidth. 9.2. Nasal Stops. 9.3. Laterals. 9.4. Nasalization. 9.5. Nasal Consonant Perception. Exercises. References. Answers to Selected Short-Answer Questions. Index.

Zusätzliche Informationen

GOR003757653
9781405101233
1405101237
Acoustic and Auditory Phonetics Keith Johnson
Gebraucht - Sehr Gut
Broschiert
John Wiley and Sons Ltd
20021220
192
N/A
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